C1 · Español

    Spanish short stories for C1 learners

    Classic stories, retold for your level

    These are classics originally written in Spanish, retold for C1 learners. A retelling keeps the whole plot of the original — every scene, every turn — in language pitched at your level. Every sentence has a translation into your language, and the first sentences of any story are free to type, no account needed.

    1. A la deriva

      Drifting · Horacio Quiroga, 1912

      El hombre puso el pie sobre algo blando y pálido, y al instante un dolor seco le mordió el talón.

      The man stepped on something soft and pale, and at once a sharp pain bit into his heel.

      C11,105 words~33 min to typeTranslation: EN UK FR DE IT PT KO

    2. La pared

      The Wall · Vicente Blasco Ibáñez, 1896

      Siempre que los descendientes del tío Rabosa se topaban con los mozos de la viuda de Casporra, el pueblo entero rompía a murmurar.

      Whenever the descendants of old Rabosa ran into the young men of the Casporra widow, the whole village would burst into murmurs.

      C11,408 words~43 min to typeTranslation: EN UK FR DE IT PT KO

    3. El encaje roto

      The Torn Lace · Emilia Pardo Bazán, 1897

      Yo figuraba entre los invitados al casamiento de Bernardo de Meneses con Micaelita Aránguiz.

      I was among the guests invited to the wedding of Bernardo de Meneses and Micaelita Aránguiz.

      C11,723 words~52 min to typeTranslation: EN UK FR DE IT PT KO

    4. La muerte de la emperatriz de la China

      The Death of the Empress of China · Rubén Darío, 1890

      Frágil y pulida como una alhaja de carne tibia, aquella muchachita de piel rosada habitaba una casa diminuta cuyo salón se vestía con tapices de un azul a punto de desmayarse.

      Fragile and polished like a jewel of warm flesh, that rosy-skinned girl lived in a tiny house whose parlor was dressed in tapestries of a blue on the verge of fainting.

      C12,414 words~73 min to typeTranslation: EN UK FR DE IT PT KO

    5. El monte de las ánimas

      The Mountain of Souls · Gustavo Adolfo Bécquer, 1861

      A una hora indefinida, el clamor pausado de las campanas me arrancó del sueño, y doblaban por los muertos.

      At some indefinite hour, the slow tolling of the bells tore me from sleep, and they were ringing for the dead.

      C12,996 words~91 min to typeTranslation: EN UK FR DE IT PT KO

    6. Yzur

      Leopoldo Lugones, 1906

      Adquirí al mono en la subasta de un circo que acababa de irse a la ruina.

      I acquired the monkey at the auction of a circus that had just gone bankrupt.

      C13,109 words~94 min to typeTranslation: EN UK FR DE IT PT KO

    7. ¡Adiós, Cordera!

      Adiós, Cordera! · Leopoldo Alas «Clarín», 1892

      Eran tres, siempre los mismos: Rosa, Pinín y aquella vaca que todos llamaban la Cordera.

      There were three of them, always the same: Rosa, Pinín, and the cow that everyone called Cordera.

      C13,904 words~118 min to typeTranslation: EN UK FR DE IT PT KO

    8. El Chiflón del Diablo

      The Devil's Shaft · Baldomero Lillo, 1904

      En una habitación de techo bajo y paredes que se estrechaban, el capataz de turno vigilaba desde su mesa el descenso de los mineros durante aquella cruda mañana invernal.

      In a low-ceilinged room with walls that narrowed inward, the foreman on duty watched from his desk the miners' descent during that harsh winter morning.

      C13,958 words~120 min to typeTranslation: EN UK FR DE IT PT KO

    C1 in other languages

    Questions

    How were these retellings made?

    Each retelling starts as an AI draft written to its level. A second pass critiques and revises it: does it fit the level, is the whole plot still there? A mechanical check makes sure no long passages are copied from the original. English and Ukrainian retellings are also read by a person before they go live.

    Are these official CEFR levels?

    No. A1–A2, B1–B2 and C1 are the targets each retelling is written to, on the CEFR scale (the Common European Framework of Reference for Languages) you know from courses and exams. No one certifies the level of a story, ours included, so treat it as a guide: if a page feels too easy or too hard, move one level over.

    Can I switch levels in the middle of a story?

    Yes. The three levels are separate retellings of the same story, and each keeps its own progress — switch to an easier or a harder one whenever you like, and come back to where you left off.

    Is it free?

    The first sentences of every retelling are free to type, no account needed, and the free daily practice draws sentences from the whole library. Whole stories, at all three levels, come with Krapka Pro — $5 a month or $45 a year.