C1 · Português
Portuguese short stories for C1 learners
Classic stories, retold for your level
These are classics originally written in Portuguese, retold for C1 learners. A retelling keeps the whole plot of the original — every scene, every turn — in language pitched at your level. Every sentence has a translation into your language, and the first sentences of any story are free to type, no account needed.
A caolha
The One-Eyed Woman · Júlia Lopes de Almeida, 1903
Alta, magra até à aspereza, de peito encovado e busto vergado para a frente, tinha braços longos demais para o corpo: finos, alargando-se no cotovelo, engrossando outra vez no punho.
Tall, thin to the point of harshness, with a sunken chest and a torso bent forward, she had arms too long for her body: thin, widening at the elbow, thickening again at the wrist.
C12,139 words~65 min to typeTranslation: EN UK ES FR DE IT KO
Missa do Galo
Midnight Mass · Machado de Assis, 1894
Até hoje não consegui decifrar aquela conversa que, há já muitos anos, mantive com uma senhora numa certa noite de Natal.
To this day I have never managed to decipher that conversation which, many years ago now, I had with a lady one Christmas Eve.
C12,667 words~81 min to typeTranslation: EN UK ES FR DE IT KO
A idéa da comadre Monica
Godmother Monica's Idea · Fialho de Almeida, 1881
Quando setembro já declinava e as primeiras gotas de chuva tinham amansado o pó dos caminhos, o Canellas resolveu-se enfim a dar início à colheita.
When September was already waning and the first drops of rain had tamed the dust of the roads, Canellas finally resolved to begin the harvest.
C12,980 words~90 min to typeTranslation: EN UK ES FR DE IT KO
O homem que sabia javanês
The Man Who Knew Javanese · Lima Barreto, 1911
Numa confeitaria, certa tarde, eu desfiava ao meu amigo Castro o rosário de logros que pregara às convicções alheias e às respeitabilidades, só para conseguir sobreviver.
At a confectionery, one afternoon, I was recounting to my friend Castro the string of deceits I had played on other people's convictions and respectabilities, simply to survive.
C13,329 words~101 min to typeTranslation: EN UK ES FR DE IT KO
A Cartomante
The Fortune-Teller · Machado de Assis, 1884
Quando Hamlet adverte Horácio de que existem entre o céu e a terra mais segredos do que a razão humana é capaz de sonhar, exprime, em linguagem solene, a mesma ideia que a bela Rita apresentava, certa tarde fria de novembro do ano de 1869, ao jovem Camilo.
When Hamlet warns Horatio that there are more secrets between heaven and earth than human reason can dream of, he expresses, in solemn language, the same idea that the beautiful Rita presented one cold November afternoon of 1869 to the young Camilo.
C13,362 words~102 min to typeTranslation: EN UK ES FR DE IT KO
Idílio rústico
Rustic Idyll · Trindade Coelho, 1891
Descia ele a artéria principal do povoado, com o rebanho colado aos calcanhares, e a hora permanecia de todo imprecisa.
He was going down the village's main street, the flock close on his heels, and the hour remained entirely uncertain.
C13,781 words~115 min to typeTranslation: EN UK ES FR DE IT KO
No Moinho
At the Mill · Eça de Queirós, 1880
Por toda a vila, D. Maria da Piedade gozava da reputação de uma esposa exemplar.
Throughout the village, D. Maria da Piedade enjoyed the reputation of an exemplary wife.
C14,209 words~128 min to typeTranslation: EN UK ES FR DE IT KO
Singularidades de uma Rapariga Loura
The Idiosyncrasies of a Young Blonde Woman · Eça de Queirós, 1874
Ao abrir a confidência, jurou-me que nada na sua história tinha mistério — e que dava pelo nome de Macário.
As he began his confidence, he swore to me that there was no mystery in his story — and that he went by the name of Macario.
C15,551 words~168 min to typeTranslation: EN UK ES FR DE IT KO
C1 in other languages
Questions
How were these retellings made?
Each retelling starts as an AI draft written to its level. A second pass critiques and revises it: does it fit the level, is the whole plot still there? A mechanical check makes sure no long passages are copied from the original. English and Ukrainian retellings are also read by a person before they go live.
Are these official CEFR levels?
No. A1–A2, B1–B2 and C1 are the targets each retelling is written to, on the CEFR scale (the Common European Framework of Reference for Languages) you know from courses and exams. No one certifies the level of a story, ours included, so treat it as a guide: if a page feels too easy or too hard, move one level over.
Can I switch levels in the middle of a story?
Yes. The three levels are separate retellings of the same story, and each keeps its own progress — switch to an easier or a harder one whenever you like, and come back to where you left off.
Is it free?
The first sentences of every retelling are free to type, no account needed, and the free daily practice draws sentences from the whole library. Whole stories, at all three levels, come with Krapka Pro — $5 a month or $45 a year.







