At the Mill
    Português
    Difficulty 58
    Naturalism
    Marriage
    Betrayal

    At the Mill

    Eça de Queirós · 1880
    Source
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    2632 words · ~80 min to type

    About this story

    In a sleepy provincial town, Maria da Piedade is held up by all as the model of virtue — a lovely young wife who has poured her whole life into nursing an invalid husband and their frail children, never once complaining. Then a cousin comes to stay, and the walks up to an old watermill in the hills begin to stir something long buried. Eça de Queirós, the master of Portuguese realism, traces how a blameless heart is worn down, grain by grain, with a tenderness that never looks away, until it can resist no longer.

    By the numbers

    1880
    Written
    2632
    words
    ~80
    min to type
    1505
    Unique words

    About the author

    Eça de Queirós
    Eça de Queirós1845–1900

    José Maria de Eça de Queirós (1845–1900) was the foremost Portuguese novelist of the nineteenth century, the writer who brought Realism and Naturalism into Portuguese letters and wielded fiction as an instrument of social criticism. His major novels — O Crime do Padre Amaro (1876), O Primo Basílio (1878) and, above all, Os Maias (1888), widely held to be his masterpiece — anatomise the society of his age with mordant irony. He spent his later years as Portuguese consul in Bristol, Newcastle and Paris, where he died in 1900. 'Singularidades de uma Rapariga Loura,' written for a subscribers' gift edition of the Diário de Notícias and published in 1874, is generally described as the first Portuguese Realist short story and an early display of the ironic, anti-Romantic manner that would define his novels.

    Recognition

    Portugal's greatest novelist.

    José Saramago, Nobel laureate in Literature, on Eça de QueirósSource

    The clear, spirited pleasure Eça takes in describing all that he enjoys gives his fiction an underlying buoyancy.

    James Guida, critic, in «The Proust of Portugal», The New York Review of Books (2017)Source

    The realist author, then, seems to issue us a warning, in a possible «moral of the story», about the fate of idealizers and «incorrigible romantics»: inevitable degeneration.

    Renata Rocha Vieira de Mello, literary scholar, in her study «Um sopro 'No moinho'» (2016)Source

    Through an analysis of the character's trajectory, the study seeks to relate the construction of her fictional character to the social conditions of women in the nineteenth century.

    Ana Claudia da Cruz Oliveira, literary scholar (UNIFESP), in «A construção da personagem feminina no conto No moinho», Cadernos Acadêmicos (2022)Source
    2632 words~80 min to type

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