The Idiosyncrasies of a Young Blonde Woman
    Português
    Difficulty 62
    Illusion & Deception
    Romance
    Realism

    The Idiosyncrasies of a Young Blonde Woman

    Eça de Queirós · 1874
    Source
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    5209 words · ~158 min to type

    About this story

    A tired traveller shares a room at a country inn, and a mild-mannered stranger named Macário begins to unburden himself of the strange love story of his life: how a fair-haired girl glimpsed across a Lisbon street became the moral compass of his existence, how he defied a tyrannical uncle and crossed the seas to Cape Verde to earn the right to marry her — and how a single, devastating moment in a jeweller's shop undid everything. Written in 1874, this is widely regarded as the first Portuguese Realist short story, an ironic, anti-Romantic gem by Eça de Queirós, the nineteenth century's greatest Portuguese novelist, whom Zola ranked above Flaubert.

    By the numbers

    1874
    Written
    5209
    words
    ~158
    min to type
    2556
    Unique words

    About the author

    Eça de Queirós
    Eça de Queirós1845–1900

    José Maria de Eça de Queirós (1845–1900) was the foremost Portuguese novelist of the nineteenth century, the writer who brought Realism and Naturalism into Portuguese letters and wielded fiction as an instrument of social criticism. His major novels — O Crime do Padre Amaro (1876), O Primo Basílio (1878) and, above all, Os Maias (1888), widely held to be his masterpiece — anatomise the society of his age with mordant irony. He spent his later years as Portuguese consul in Bristol, Newcastle and Paris, where he died in 1900. 'Singularidades de uma Rapariga Loura,' written for a subscribers' gift edition of the Diário de Notícias and published in 1874, is generally described as the first Portuguese Realist short story and an early display of the ironic, anti-Romantic manner that would define his novels.

    Recognition

    Émile Zola considered Eça de Queirós to be far greater than Flaubert.

    Émile Zola, French novelist and founder of literary Naturalism; assessment recorded in the standard biographical account of Eça de QueirozSource

    Writing in the London Observer, the critic Jonathan Keates ranked Eça de Queirós alongside Dickens, Balzac and Tolstoy.

    Jonathan Keates, British biographer and literary critic, in The Observer (London)Source

    The Maias has been called 'the greatest book by Portugal's greatest novelist' — a verdict José Saramago passed on the work of Eça de Queirós.

    José Saramago, Portuguese novelist and 1998 Nobel laureate in Literature, quoted in James Guida, 'The Proust of Portugal,' The New York Review of Books (2017)Source

    Eça left his mark on the Portuguese literary scene with a body of work of the highest quality; the novelist handled narrative perspective and time with uncommon skill.

    Instituto Camões, Official Portuguese state institute for language and culture, in its 'Figuras da Cultura Portuguesa' reference entry on Eça de QueirósSource
    5209 words~158 min to type

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