B1 · Português

    Portuguese short stories for B1 learners

    Classic stories, retold for your level

    These are classics originally written in Portuguese, retold for B1–B2 learners. A retelling keeps the whole plot of the original — every scene, every turn — in language pitched at your level. Every sentence has a translation into your language, and the first sentences of any story are free to type, no account needed.

    1. A caolha

      The One-Eyed Woman · Júlia Lopes de Almeida, 1903

      Era uma mulher alta e magra, de peito fundo e costas curvadas.

      She was a tall, thin woman, deep-chested and stoop-backed.

      B1–B21,770 words~54 min to typeTranslation: EN UK ES FR DE IT KO

    2. A idéa da comadre Monica

      Godmother Monica's Idea · Fialho de Almeida, 1881

      Nos finais de setembro, mal caíram as primeiras chuvas, o Canellas decidiu que era altura de começar a colheita das uvas.

      In late September, as soon as the first rains fell, Canellas decided it was time to start the grape harvest.

      B1–B22,524 words~76 min to typeTranslation: EN UK ES FR DE IT KO

    3. Missa do Galo

      Midnight Mass · Machado de Assis, 1894

      Até hoje não consegui decifrar por completo uma conversa que tive, faz já muitos anos, com uma senhora.

      To this day I have never fully worked out a conversation I once had, many years ago now, with a lady.

      B1–B22,749 words~83 min to typeTranslation: EN UK ES FR DE IT KO

    4. O homem que sabia javanês

      The Man Who Knew Javanese · Lima Barreto, 1911

      Numa tarde, sentado numa confeitaria, eu explicava ao meu amigo Castro as mil trapaças que cometi para sobreviver — enganando convenções e respeitabilidades sem nenhum remorso.

      One afternoon, sitting in a pastry shop, I was explaining to my friend Castro the thousand tricks I had pulled to survive — cheating conventions and respectability without a shred of remorse.

      B1–B23,073 words~93 min to typeTranslation: EN UK ES FR DE IT KO

    5. A Cartomante

      The Fortune-Teller · Machado de Assis, 1884

      Hamlet lembra a Horácio que existem no céu e na terra muito mais coisas do que cabe na nossa filosofia.

      Hamlet reminds Horatio that there are many more things in heaven and earth than are dreamt of in our philosophy.

      B1–B23,252 words~99 min to typeTranslation: EN UK ES FR DE IT KO

    6. Idílio rústico

      Rustic Idyll · Trindade Coelho, 1891

      Era ainda muito cedo quando Gonçalo desceu a rua, com o rebanho atrás de si, e atravessou a aldeia adormecida.

      It was still very early when Gonçalo went down the street, with the flock behind him, and crossed the sleeping village.

      B1–B23,617 words~110 min to typeTranslation: EN UK ES FR DE IT KO

    7. No Moinho

      At the Mill · Eça de Queirós, 1880

      Em toda a vila, D. Maria da Piedade passava por ser uma senhora exemplar.

      Throughout the whole village, Mrs. Maria da Piedade was regarded as an exemplary woman.

      B1–B24,255 words~129 min to typeTranslation: EN UK ES FR DE IT KO

    8. Singularidades de uma Rapariga Loura

      The Idiosyncrasies of a Young Blonde Woman · Eça de Queirós, 1874

      Avisou-me logo que a sua história nada tinha de complicado, e disse chamar-se Macário.

      He told me right away that his story had nothing complicated about it, and said his name was Macário.

      B1–B25,455 words~165 min to typeTranslation: EN UK ES FR DE IT KO

    B1 in other languages

    Questions

    How were these retellings made?

    Each retelling starts as an AI draft written to its level. A second pass critiques and revises it: does it fit the level, is the whole plot still there? A mechanical check makes sure no long passages are copied from the original. English and Ukrainian retellings are also read by a person before they go live.

    Are these official CEFR levels?

    No. A1–A2, B1–B2 and C1 are the targets each retelling is written to, on the CEFR scale (the Common European Framework of Reference for Languages) you know from courses and exams. No one certifies the level of a story, ours included, so treat it as a guide: if a page feels too easy or too hard, move one level over.

    Can I switch levels in the middle of a story?

    Yes. The three levels are separate retellings of the same story, and each keeps its own progress — switch to an easier or a harder one whenever you like, and come back to where you left off.

    Is it free?

    The first sentences of every retelling are free to type, no account needed, and the free daily practice draws sentences from the whole library. Whole stories, at all three levels, come with Krapka Pro — $5 a month or $45 a year.