C1 · Deutsch

    German short stories for C1 learners

    Classic stories, retold for your level

    These are classics originally written in German, retold for C1 learners. A retelling keeps the whole plot of the original — every scene, every turn — in language pitched at your level. Every sentence has a translation into your language, and the first sentences of any story are free to type, no account needed.

    1. Das Bettelweib von Locarno

      The Beggarwoman of Locarno · Heinrich von Kleist, 1810

      Am Fuße der Alpen, unweit von Locarno im oberitalienischen Land, stand vor Zeiten ein altes Schloß, das einem Marchese gehörte.

      At the foot of the Alps, not far from Locarno in the Upper Italian country, there stood in times past an old castle that belonged to a marchese.

      C1980 words~30 min to typeTranslation: EN UK ES FR IT PT KO

    2. Die Bremer Stadtmusikanten

      The Town Musicians of Bremen · Brothers Grimm, 1819

      Ein Mann besaß einen Esel.

      A man owned a donkey.

      C11,281 words~39 min to typeTranslation: EN UK ES FR IT PT KO

    3. Ein Landarzt

      A Country Doctor · Franz Kafka, 1918

      Ich befand mich in arger Bedrängnis: eine unaufschiebbare Fahrt lag vor mir.

      I found myself in dire straits: an urgent journey lay before me.

      C12,363 words~72 min to typeTranslation: EN UK ES FR IT PT KO

    4. Die Geschichte von Kalif Storch

      The Story of Caliph Stork · Wilhelm Hauff, 1826

      An einem milden Nachmittag ruhte der Kalif Chasid zu Bagdad in bester Laune auf seinem Sofa.

      One mild afternoon, Caliph Chasid of Baghdad lay on his sofa in the finest of spirits.

      C13,423 words~104 min to typeTranslation: EN UK ES FR IT PT KO

    5. Ein Hungerkünstler

      A Hunger Artist · Franz Kafka, 1922

      In den vergangenen Jahrzehnten hat das Verlangen nach Hungerkünstlern spürbar abgenommen.

      In recent decades, the appetite for hunger artists has noticeably declined.

      C13,452 words~105 min to typeTranslation: EN UK ES FR IT PT KO

    6. Krambambuli

      Marie von Ebner-Eschenbach, 1883

      Für allerlei Dinge fasst der Mensch eine Neigung, und er fasst sie leicht.

      People form an attachment to all sorts of things, and they form it easily.

      C13,843 words~116 min to typeTranslation: EN UK ES FR IT PT KO

    7. Die unsichtbare Sammlung

      The Invisible Collection · Stefan Zweig, 1925

      Unser Zug hatte Dresden eben hinter sich gelassen.

      Our train had just left Dresden behind.

      C15,337 words~162 min to typeTranslation: EN UK ES FR IT PT KO

    8. Gladius Dei

      Thomas Mann, 1902

      München strahlte.

      Munich was radiant.

      C15,342 words~162 min to typeTranslation: EN UK ES FR IT PT KO

    9. Der blinde Geronimo und sein Bruder

      Blind Geronimo and His Brother · Arthur Schnitzler, 1900

      Als das ferne Rollen der ersten Räder an sein Ohr drang, erhob sich der blinde Geronimo und langte nach der Gitarre, die man ihm neben dem Weinglas hingelegt hatte.

      When the distant rumble of the first wheels reached his ear, blind Geronimo rose and reached for the guitar that had been laid beside his wineglass.

      C18,767 words~266 min to typeTranslation: EN UK ES FR IT PT KO

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    Questions

    How were these retellings made?

    Each retelling starts as an AI draft written to its level. A second pass critiques and revises it: does it fit the level, is the whole plot still there? A mechanical check makes sure no long passages are copied from the original. English and Ukrainian retellings are also read by a person before they go live.

    Are these official CEFR levels?

    No. A1–A2, B1–B2 and C1 are the targets each retelling is written to, on the CEFR scale (the Common European Framework of Reference for Languages) you know from courses and exams. No one certifies the level of a story, ours included, so treat it as a guide: if a page feels too easy or too hard, move one level over.

    Can I switch levels in the middle of a story?

    Yes. The three levels are separate retellings of the same story, and each keeps its own progress — switch to an easier or a harder one whenever you like, and come back to where you left off.

    Is it free?

    The first sentences of every retelling are free to type, no account needed, and the free daily practice draws sentences from the whole library. Whole stories, at all three levels, come with Krapka Pro — $5 a month or $45 a year.