Véra
    Français
    Difficulty 62
    Gothic & Horror
    Love
    Death & Mortality

    Véra

    Villiers de l'Isle-Adam · 1874
    Source
    your dots: 0 of 3
    2550 words · ~77 min to type

    About this story

    Six months a widower, the Count d'Athol refuses to believe his wife is dead. He dismisses the servants, drops the tomb's little silver key into the grave, and — by the sheer force of his love — begins to summon Véra back: her laughter in the halls, her perfume, her warmth still on the pearls. But what happens when passion denies the grave and the dream demands to become real? Written in 1874 by Villiers de l'Isle-Adam — the Symbolist master whom Mallarmé called a genius and whom Baudelaire and Wagner admired — «Véra» is the crown jewel of the «contes cruels» and one of the most spellbinding love stories in French literature. A prose poem in which love proves stronger than death.

    By the numbers

    1874
    Written
    2550
    words
    ~77
    min to type
    1275
    Unique words

    About the author

    Villiers de l'Isle-Adam
    Villiers de l'Isle-Adam1838–1889

    Auguste de Villiers de l'Isle-Adam (1838–1889) was a French Symbolist writer of aristocratic Breton descent, admired by Baudelaire, Wagner, and above all by his friend Mallarmé, who called him a man of genius. Though he lived and died in poverty, he won wide recognition only after his death and is now regarded as a founding master of the «conte cruel». His major works include the short-story collection «Contes cruels» (1883), the proto-science-fiction novel «L'Ève future» (1886), which popularized the word «android», and the Symbolist drama «Axël» (1890). «Véra», first published in 1874 and later gathered into «Contes cruels», is his most celebrated tale and a touchstone of the nineteenth-century French fantastic.

    Recognition

    Reputed a masterpiece of the fantastic genre, this tale nonetheless defies its logic: in Villiers «the whole narrative becomes the illustration of an idea».

    Tzvetan Todorov, literary theorist, in «Introduction à la littérature fantastique» (1970), where Véra serves as a key example of the fantasticSource

    Far from being a mere ghost story, Véra proves to be «a carefully constructed and considered work of art», whose brevity and perfection of language bring it close to the prose poem.

    Simona Pollicino, scholar of French literature, in her study «Véra de Villiers de l'Isle-Adam ou l'impossible vérité de la traduction», Revue italienne d'études françaises (RIEF), 2013Source

    You have put into this work an extraordinary sum of Beauty. The language truly that of a God everywhere!

    Stéphane Mallarmé, poet and close friend of Villiers, in a letter of 20 March 1884 praising the Contes cruels (the collection that contains Véra); cited in Pierre Reboul's preface to the Gallimard/Folio editionSource

    Villiers has a rare capacity 'for imparting simultaneously emotional excitement and intellectual stimulation,' speaking always in 'a voice which is unmistakably his own.'

    A. W. Raitt, Oxford scholar and biographer of Villiers, editor of the Pléiade Oeuvres complètes (1986), quoted in Richard P. Benton's Villiers entry for the Dictionary of Literary BiographySource
    2550 words~77 min to type

    Practice typing

    Type this retelling one piece at a time — your progress is saved as you go.

    Chunk size:

    If you liked this