A Dead Man's Bone
    Italiano
    Difficulty 58
    Death & Mortality
    Magic & Superstition
    Gothic & Horror

    A Dead Man's Bone

    Iginio Ugo Tarchetti · 1869
    Source
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    1667 words · ~51 min to type

    About this story

    A student accepts a handful of human bones from a friend who teaches anatomy at Pavia, and for eleven years one of them — a small, polished kneecap — holds down the papers on his desk. Then, at a séance in Milan, his hand begins to write without him: the professor is dead, the bone was taken from a body he had no right to dissect, and its owner wants it back. Tonight. Tarchetti, the best-known rebel of the Milanese Scapigliatura, carried Poe and Hoffmann into Italian and gave the language its first Gothic fiction; he published this in Racconti fantastici in 1869 and died of typhus that same year, at twenty-nine. A ghost story that doubles as a joke at the medical profession's expense.

    By the numbers

    1869
    Written
    1667
    words
    ~51
    min to type
    948
    Unique words

    About the author

    Iginio Ugo Tarchetti
    Iginio Ugo Tarchetti1839–1869

    Iginio Ugo Tarchetti (1839–1869) was a Piedmontese novelist, poet and journalist, and one of the central figures of the Milanese Scapigliatura, the bohemian anti-establishment movement that set itself against the polite realism of Manzoni's heirs. He left the army in 1865 and spent his last four years in Milan writing fiction and criticism and translating from English, dying of typhoid fever at twenty-nine. He is credited with introducing the Gothic and fantastic tale to Italian literature, adapting Hoffmann, Poe and Gautier into a distinctly Italian register of social unease. His best-known works are the novel Fosca (1869), a study of morbid passion that Ettore Scola later filmed as Passione d'amore, the anti-militarist novel Una nobile follia (1867), and the posthumous collection Racconti fantastici (Treves, 1869). “Un osso di morto” is one of the five tales in that collection and, with “La lettera U” and “I fatali”, is among the pieces critics most often single out; it turns a séance and a stolen kneecap into a grimly comic parable of the medical profession and the working-class dead.

    Recognition

    Amid the Gothic trappings of séances and ghosts, Tarchetti's tale stages the disquieting return of the socially repressed.

    Lawrence Venuti, Translation theorist, professor of English at Temple University and translator of Tarchetti's Fantastic Tales, in “The Hyena's Laugh: I. U. Tarchetti and the Birth of Italian Gothic”, Los Angeles Review of Books, 2020Source

    In Racconti fantastici, the pieces of particular note are I fatali, La lettera U and Un osso di morto.

    Mauro Germani, Italian poet and literary critic, in “L'insondabile mistero di Tarchetti: tra sogni, ossessioni e follia”, Poetarum Silva, 2025Source

    'A Dead Man's Bone' is an excellent Poe pastiche, full of atmosphere and dread, which paints professors and doctors as grave-robbers.

    Jonathan Thornton, Critic and reviewer, in his review of Fantastic Tales for Fantasy-Hive, 2020Source

    Tarchetti (1839-1869) was an author of some renown who is credited with introducing the Gothic genre to Italian literature.

    Enrica Maria Ferrara and Stiliana Milkova, Ferrara, Italianist at Trinity College Dublin, and Milkova, professor of comparative literature at Oberlin College, in “Translators and Their Ghosts”, Reading in Translation, 2020Source
    1667 words~51 min to type

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